Sometimes a character, superstar that is barely mentioned in the novel, substructure be an integral part of the novel itself - one who brings aside one of the novels main themes. Kurtz is one such example in Joseph Conrads fancy of Darkness. The mystery in this novel is chiefly roughly a character named Kurtz whom Marlow desires to meet and speak with. Kurtz, ilk numerous an opposite(prenominal)s, changes due to everyplaceexposure in the African jungle. But tied(p) afterwards Marlow meets with Kurtz, Kurtz is noneffervescent a mystery to Marlow and to Conrads readers. To Marlow, Kurtz became widely know as the man with some(prenominal) a(prenominal) faces -like adding an entire new identity oer his body. In the novel, Kurtz can be viewed in galore(postnominal) perspectives. He could be the flabby devil, he could be an honest man, and he could even be mindless idiot who was overwhelmed by Africa. Because of Kurtzs systematic changes, his mysteriousness starts to clou d the readers impression of Kurtz. His ambiguity of his nature not quiesce reflects how Africa changes a person entirely, but also the mysteriousness of Africa itself. Through his ambiguity, Kurtz teaches Marlow a lesson that all men are hiding from the truth, but Kurtz still reveals himself more like a cipher, a mysterious homophile code.
Conrad uses Kurtz as one of his prime examples to represent the mystery of Africa; from Kurtzs many a(prenominal) faces to Africas effect on Kurtz as well as the other Europeans, Conrad wants to point out that everyone/everything possesses a mystery within themselves - an c ontiguity Marlow soon realizes through Kurtz! s final words: The horror! The execration! (64). Kurtz however, before his venture to the African jungle, was just an ordinary Englishman with hopes and dreams. To many people back home, he was known to be a loving intelligent... If you want to get a full essay, gain it on our website:
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