Custom Written Term Papers: Evil in Othello -- Othello essays

Evil in Othello What can compare to the evil present in William Shakespeares tragic drama Othello? The sinister aspect of the play is so heavy at times that it has a depressing effect on the audience. In the essay Wit and Witchcraft an Approach to Othello Robert B. Heilman unveils the evil awaiting the ratifier in Othello Reason as an solelyy of evil is a overmaster to which Shakespeare keeps returning, as if fascinated, merely in different thematic forms as he explores different counter-forces. . . . Although Iago, as we saw, does not take seriously the ennobling major power of love, he does not fail to let us know what he does take seriously. When, in his fake oath of loyalty to wrongd Othello, he vows The exercise of his wit, hands, cheek (III.3.466), Iagos words give a clue to his truth his heart is his malice, his hands literally wound Cassio and kill Roderigo, and his wit is the genius that creates all the strategy. (338) By an extraordinary composition of character Shakespeare has made Iago, literally or symbolically, share in all these modes of evil. And in Iago he has dramatized Dantes analysis analysis For where the instru ment of the mind is joined to evil will and potency, men can make no defense against it. But he has in any case dramatized the hidden springs of evil action, the urgency and passion and immediacy of it. He contemplates likewise the evildoers potency and mans defenselessness but these he interprets tragically by making them, not absolute, but partly dependent on the flaws or desire of the victims themselves. (343) First of all, Iagos truly words paint him for what he is. Robert Di Yanni in Character Revealed Through dialog states that the evil antagonist rev... ...rizona Quarterly (Spring 1956), pp.5-16. Mack, Maynard. Everybodys Shakespeare Reflections Chiefly on the Tragedies. Lincoln, NB University of Nebraska Press, 1993. Shakespeare, William. Othello. In The Electric Shakespeare. Princeton University. 1996. http//www.eiu.edu/multilit/studyabroad/othello/othello_all.html No line nos. Wayne, Valerie. Historical Differences misogynism and Othello. The Matter of Difference Materialist Feminist Criticism of Shakespeare. Ed Valerie Wayne. Ithaca, NY Cornell University Press, 1991. Wright, Louis B. and Virginia A. LaMar. The Engaging Qualities of Othello. Readings on The Tragedies. Ed. Clarice Swisher. San Diego Greenhaven Press, 1996. Reprint from Introduction to The Tragedy of Othello, the Moor of Venice by William Shakespeare. N. p. Simon and Schuster, Inc., 1957.